The Timeless Elegance of a “Little Stork”: How One Table Redefined Modern Design

The first time I saw it, I didn’t even realize it was famous. It stood quietly in the corner of a cozy,

cabin-like living room — its wooden walls glowing in warm light, the scent of old books thick in the air.

Amid the vintage furniture and soft fabrics, my eyes caught a small, graceful side table unlike anything

I’d ever seen. It had a round top, three slender legs, and a delicate vertical handle that rose like the

neck of a bird frozen mid-step. “What is that?” I asked, unable to look away. That’s when I was introduced

to the Cicognino — the “little stork” table designed by Franco Albini in 1954.

Once you know its name, everything about the table makes sense. “Cicognino” captures both its elegance and

its personality — the handle isn’t just functional, it’s poetic, evoking the image of a stork carrying itself

with quiet grace. Albini, one of Italy’s most respected modernist designers, was known for balancing simplicity with purpose.

Every curve, joint, and proportion in this table serves a function — and yet, the result feels effortlessly artistic.

It’s the kind of design that makes a room feel intentional without ever trying too hard.

Crafted originally in walnut and mahogany, the table stands about two feet tall — perfect for setting a book,

a glass of wine, or even a morning cup of coffee. The slightly raised lip around the top prevents items from slipping,

while the three-legged base ensures stability on uneven floors. It’s light enough to move with one hand,

yet solid enough to last generations. Even after seventy years, the Cicognino remains a masterpiece of minimalism — the rare kind of object that feels both functional and emotional.

Today, Cassina continues to produce this beloved design, while collectors seek vintage originals that have aged with

patina and history. But what truly makes the Cicognino timeless isn’t its price or rarity — it’s its soul.

It doesn’t demand attention; it earns it. It reminds us that great design doesn’t have to be loud or bold

to leave an impression. Sometimes, all it takes is a “little stork” quietly standing in the corner, teaching us that beauty and simplicity can, indeed, walk hand in hand.

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